Paul Devereux is:
A Founding Co-editor of Time & Mind - Journal of Archaeology, Consciousness and Culture;
A Research Affiliate at the Royal College of Art;
A Fellow of the Royal Society of Arts;
A Senior Research Fellow at the International Consciousness Research Laboratories (ICRL) group at Princeton;
And an Honorary Member of the Scientific and Medical Network.
He's also a friend and one of the world's leading researchers in the emerging field of archaeo-acoustics.
But Paul started out as a painter, having a degree in Fine Art. He participated in numerous group exhibitions in Britain such as John Moores, Liverpool, and the Royal Academy Schools, plus travelling shows under the auspices of the Arts Council. He also exhibited in Germany. His painting became increasingly inspired by the geometry and numinosity of ancient monuments and this began to lead him deeper into an interest in archaeology. This resulted in him turning more toward writing and research with the consequence that he slowly shifted from painting and gradually relinquished his formal teaching of painting, drawing and photography.
Paul’s research interests in archaeology focus especially on “cognitive” aspects, trying to “get inside” the prehistoric mind, and this has broadened into the study of anthropological themes, especially what is known as “the anthropology of consciousness”. This in turn led him to become involved more generally in what is loosely termed “consciousness studies”. He has frequently combined these themes – such as writing a prehistory of the use of mind-altering substances, andexamining anomalous phenomena of various kinds, especially supposed psi phenomena.
This mix of archaeological, anthropological and consciousness studies interests has led him to co-founding and co-editing a new peer-reviewed, academic publication, Time & Mind: The Journal of Archaeology, Consciousness and Culture. For 20 years (1976-1996) he edited and published the legendary The Ley Hunter journal, eventually deconstructing the modern myth of “leylines”, for which he has not been forgiven in some quarters! But his authentic and documented research into spirit and death roads across archaic landscapes developed directly from his early ley interests (see SPIRIT ROADS in the On-line & Mail-order Book Sales pages).
He has given a great many presentations on various aspects of his multidisciplinary range of subject matter to specialist, academic and general audiences in Britain, Ireland, the USA, Canada, Germany, Norway, Holland, Switzerland, Italy and France. Venues have ranged from Glastonbury New Age “fairs” to some of the most prestigious universities and institutions in England and America. His portfolio of written work includes 26 published English-language books (plus numerous foreign-language editions), many articles for popular and specialist magazines (including being archaeology columnist for Fortean Times magazine), plus a range of peer-reviewed academic papers. He has, additionally, conceived, co-produced, or appeared in television documentaries in the UK and the USA. He is currently a research affiliate with the Royal College of Art working on an audio-visual study of Mynydd Preseli, the source area in Wales of the Stonehenge bluestones (see the Landscape & Perception pages on this website).
The world recently turned upside down. Regardless of what "side" you are on, the work Paul is doing helps to re-connect us to some longer, larger cycles of human activity. From this view, our differences fade into a rhythmic, shadowy dance of shamanic intuition and planetary consciousness. From Brexit to Trump, the old paradigms are starting to collapse. Perhaps we can look to even older models of human organization for some clues on how to move forward together with empathy, compassion and shared vision. One can only hope...